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HMONG MUSIC BIBLIOGRAPHY

Schein, Louisa. (2004). "Homeland Beauty: Transnational Longing and Hmong American Video." The Journal of Asian Studies 63(2): 433-463.

Vietnam Hmong: The Art of Attraction (2004). DVD. France: Playasound.

Falk, Catherine.(2004). "The dragon taught us: Hmong stories about the origin of the free reed pipes qeej." Journal of Asian Music, 35 (1), 2003/ 2004, pp17-56;

Falk, Catherine. (2004). "If you have good knowledge, close it well tight": concealed and framed meaning in the funeral music of the Hmong qeej" British Journal of Ethnomusicology 12 (ii) 2003, pp1-33.

Falk, Catherine. (2004). "Hmong Instructions to the Dead: What the qeej says in the Qeej Tu Siav". Part 1. Asian Folklore Studies 63 (1) 2004

Falk, Catherine. (2004). "Hmong Instructions to the Dead: What the qeej says in the Qeej Tu Siav". Part 2. Asian Folklore Studies 63 (2) 2004

Falk, Catherine. (2004). "The private and public lives of the Hmong qeej or Miao lusheng." In Nicholas Tapp, ed. Changing Cultural Contexts: representations of the Hmong. Canberra, ACT : Pandanus Press. 2004

Cooper, Robert (Editor) (1998). The Hmong: A guide to traditional lifestyles . Singapore: Times Editions.

Morrison, G. (1998). “The Hmong Qeej: Speaking to the Spirit World.” Hmong Studies Journal 2(2): 1-12.

Catlin, A. (1997). “Puzzling the text: Thought-songs, secret languages, and archaic tones in Hmong music.” World of Music 39(2): 69-81.

Hmong Musicians in America: Interactions with Three Generations of Hmong Americans. (Video) (1996). Valley Glen, CA: Aspara Media for Intercultural Education.

Moua, B.X. (1996). Boua Xou Moua. The Music of the Hmong People of Laos. (Music CD). Dallas, TX: Documentary Arts Inc.

Thao, H. (1995). Hmong Music in Vietnam. Special Issue of Nhac Viet, the Journal of Vietnamese Music, Volume 4, Number 2, Fall 1995.

Caitlin, A. (1992). “Homo Cantens: Why Hmong Sing During Interactive Courtship Rituals.” Selected Reports in Ethnomusicology 9 (1992): 43-60.

England, S.R. (1992). An Integrated Approach: Combining Elements of Hmong Culture and Music Learning Activities for the Primary Student. Master’s Thesis, University of Saint Thomas (St. Paul, MN).

Shyr, Y.K. (1989). “The Polyphonic Songs of the Miao People in China: A Structural Analysis.” Chinese Music 12 (March 1989): 5-13.

Shyr, Y.K. (1989). “The Polyphonic Songs of the Miao People in China: A Structural Analysis, II.” Chinese Music 12 (March 1989): 27-31.

Liang, Y. (1987). “Miao Dances.” In Flying Dragon and Dancing Phoenix: An Introduction to Selected Chinese Minority Folk Dances, edited by W. Chen, L. Ji and W. Ma, 80-93. Beijing: New World Press, 1987.

Caitlin, A. (1986). “The Hmong and Their Music…A Critique of Pure Speech.” In Hmong Art: Tradition and Change, 11-18. Sheboygan, WI: John Michael Kohler Arts Center.

John Michael Kohler Arts Center. (1986). Hmong Art: Tradition and Change. Sheboygan, WI: John Michael Kohler Arts Center.

Johns, B. (1986). "An Introduction to White Hmong Sung Poetry." In The Hmong World, Editors, Brenda Johns and David Strecker, New Haven, CT: Council on Southeast Asia Studies, pp. 5-11.

McNamer, M. (1986). "Musical Change and Change in Music: Implications for Hmong Identity." In The Hmong World, Editors, Brenda Johns and David Strecker, New Haven, CT: Council on Southeast Asia Studies, pp. 137-163.

Willcox, D. (1986). Hmong Folklife. Hmong Natural Association of North Carolina.

Catlin, Amy (1981). Music of the Hmong: Singing Voices and Talking Reeds. Providence, R.I.: Center for Hmong Lore.

Mottin, J. (1980). 55 Chants D’Amour Hmong Blanc. Bangkok: Don Bosco Press.

 
 
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